David Foster Wallace was like, Art must be sincere! We must use every tool in the linguistic toolbox to cut through sentiment and dishonest cliche and build fresh ways to reveal the power and reality of unironized emotion.
And Mister Rogers was like, Basically the same thing, but without any shame or pretense or fear of sincerity.
(Source: marketwarriors)
Roger Ballen - Shadow Chamber (2001-4)
I’ve been waiting for this one [x]
Hank still grabs the camera and pushes the zoom button himself while vlogging. In an age of HD video and crisp sound and Iron Man-level visual effects on YouTube, I find this encouraging.
(Source: riddlemetom)
Alejandro Cartagena - The Car Poolers (2012)
“A bridge is situated on a highway that goes from the Mexican city of Nuevo Laredo — across the United States border in Laredo, Texas — due south to Monterrey. In the winter early-morning hours, Cartagena stood there, pointing his lens down at the passing cars, like a distracted spy.
He was peeking into the backs of the pickup trucks, where construction workers pile together on their way to earn an honest living. Car Poolers is an effort to peer inside these tiny worlds that straddle public and private.”
How do you make data integration cute and fuzzy?
Easy, stop motion.
Special thanks to Jenna Johnson (set) and Amy Henion (voice) for your hard work! Couldn’t have done it without you guys.
Joseph L. Griffiths - Drawing Machine 1: To Your Heart’s Content (2009) - Interactive mixed media with bicycle
Yesterday I had the pleasure of releasing my first professional promo clip. It’s for a campaign called FirstGiving Cares.
Zhao Huasen - Floating (2012)
(Source: likeafieldmouse, via aaronaaddorisio)
